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EECKHOUT, Gerbrand van den Prophet Eliseus and the Woman of Sunem f oil painting


Prophet Eliseus and the Woman of Sunem f
Painting ID::  6551
EECKHOUT, Gerbrand van den
Prophet Eliseus and the Woman of Sunem f
1664 Oil on canvas, 110 x 155 cm Museum of Fine Arts, Budapest

   
   
     

EECKHOUT, Gerbrand van den Prophet Eliseus and the Woman of Sunem (detail) dg oil painting


Prophet Eliseus and the Woman of Sunem (detail) dg
Painting ID::  6552
EECKHOUT, Gerbrand van den
Prophet Eliseus and the Woman of Sunem (detail) dg
1664 Oil on canvas Museum of Fine Arts, Budapest

   
   
     

EECKHOUT, Gerbrand van den Portrait of a Family fg oil painting


Portrait of a Family fg
Painting ID::  6553
EECKHOUT, Gerbrand van den
Portrait of a Family fg
1667 Oil on canvas, 85 x 100 cm Museum of Fine Arts, Budapest

   
   
     

EECKHOUT, Gerbrand van den Presentation in the Temple fh oil painting


Presentation in the Temple fh
Painting ID::  6554
EECKHOUT, Gerbrand van den
Presentation in the Temple fh
1671 Oil on wood, 59 x 48,5 cm Museum of Fine Arts, Budapest

   
   
     

EECKHOUT, Gerbrand van den Scholar with his Books fgh oil painting


Scholar with his Books fgh
Painting ID::  6555
EECKHOUT, Gerbrand van den
Scholar with his Books fgh
1671 Oil on canvas, 64,5 x 49 cm Museum of Fine Arts, Budapest

   
   
     

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     EECKHOUT, Gerbrand van den
     Dutch Baroque Era Painter, 1621-1674 Dutch painter, draughtsman and etcher. He was the son of the goldsmith Jan Pietersz. van den Eeckhout and 'a great friend' as well as a pupil of Rembrandt, according to Houbraken, who commented that van den Eeckhout painted in the style of his master throughout his career. This is certainly true of van den Eeckhout's (biblical) history paintings, but less so of either his portraits, which gradually displayed more Flemish elegance, or his genre pieces (from 1650), in which he followed various trends; he adapted his style to suit his subject with sensitive versatility. He was also a gifted colourist and an artist of great imagination, superior in both these respects to such better-known Rembrandt pupils as Ferdinand Bol and Nicolaes Maes. Moreover, he was extremely productive, and there is at least one dated painting for virtually every year between 1641 and 1674. In addition, he created a large body of drawings comprising histories, figures, landscapes and genre scenes executed in various media, including watercolour.

     Related Artists::.
     | Jean Pierre Alexandre Antigna | villon | Ralph Curtis |


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